Bengali writer and novelist Late Manik Bandopadhyay. Bandopadhyay’s writing was inspired by both Marxian philosophy and Freudian philosophy – which are quite contrasting in nature. His writing stands in stark contrast to that of other contemporary luminaries like Bibhutibhushan Bandopadhyay who portrayed life in rural Bengal in a gentle, lyrical light. Although he had some common grounds with Tarashankar Bandopadhyay, he distinguished himself with profound and rational analysis of the lives of ordinary people. Manik’s writing dealt with the pettiness and wretchedness of existence in the context of rural Bengal. His primary concern was the dark alleyways of the human mind, even among the supposedly simple village folk, and not the serene beauty of nature that was always in the background in his novels.
Shortly after making his debut in the world of fiction in 1935 through a short story titled Atashi Mami, Bandopadhay embarked upon writing novels. Publication of Diba-Ratrir Kabya in 1935 and Padma Nadir Majhi and Putul Nacher Itikotha in 1936 established him as the most notable novelist Bengali literature since Bankimchandra, Rabindranath and Saratchandra. He distinguished himself with focus on the life of ordinary rural and urban people, with colloquial language and with a neat narrative. He was a great storyteller who perfected his fiction with insight into human mind. In the earlier works he took a Freudian approach. In the later life, he showed influence of Marxist theory. His treatment of human sexuality in Chatushkone is path-breaking.
