World’s renowned musician, Sitar Maestro Pt. Ravi Shankar

Indian musician and a composer of Hindustani classical music, Sitar maestro Ravi Shankar (Ravindra Shankar Chowdhury). He was the best-known proponent of the sitar in the second half of the 20th century and influenced many other musicians throughout the world. He was awarded India’s highest civilian honour, the Bharat Ratna, in 1999. Pt. Ravi Shankar spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan, he was a rigorous teacher and Pt. Ravi Shankar had training on Sitar and Surbahar, learned ragas and the musical styles dhrupad, dhamar, and khyal, and was taught the techniques of the instruments rudra veena, rubab, and sursingar. He often studied with Khan’s children Ali Akbar Khan and Annapurna Devi. After finishing his studies in 1944, Pt. Ravi Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956.
In 1956, Pt. Ravi Shankar began to tour Europe and the Americas playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and Beatles guitarist George Harrison. His influence on the latter helped popularize the use of Indian instruments in pop music in the latter half of the 1960s. Pt. Ravi Shankar engaged Western music by writing compositions for sitar and orchestra, and toured the world in the 1970s and 1980s. From 1986 to 1992, he served as a nominated member of Rajya Sabha, the upper chamber of the Parliament of India.
Pt. Ravi Shankar developed a style distinct from that of his contemporaries and incorporated influences from rhythm practices of Carnatic music. His performances begin with solo alap, jor, and jhala (introduction and performances with pulse and rapid pulse) influenced by the slow and serious dhrupad genre, followed by a section with tabla accompaniment featuring compositions associated with the prevalent khyal style. Pt. Ravi Shankar often closed his performances with a piece inspired by the light-classical thumri genre. He popularised performing on the bass octave of the sitar for the alap section and became known for a distinctive playing style in the middle and high registers that used quick and short deviations of the playing string and his sound creation through stops and strikes on the main playing string. His interplay with Alla Rakha improved appreciation for tabla playing in Hindustani classical music. Shankar promoted the jugalbandi duet concert style and claims to have introduced new ragas Tilak Shyam, Nat Bhairav and Bairagi.