Carnatic vocalist Semmangudi Radhakrishna Srinivasa Iyer. He, along with his contemporaries G.N. Balasubramaniam and Madurai Mani Iyer, are referred to as the 20th century male trinity of Carnatic music. He was the youngest recipient of the Sangeetha Kalanidhi awarded by the Music Academy in 1947. He was affectionately addressed as “Semmangudi Maama” (Semmangudi Uncle) by his disciples. He was also considered the “Pitamaha” or the grand sire of modern Carnatic Music.
At the age of eight he started learning music from his cousin Semmangudi Narayanaswamy Iyer. This was followed by some rigorous training under Thiruvadaimaruthur Sakharama Rao, a famous Gottuvadhyam exponent, an event considered by Semmangudi as a turning point in his life. This was followed by another training stint with Narayanaswamy Iyer, during which time he learnt a lot of varnams and keerthanams. Then he had a musical apprenticeship with Maharajapuram Viswanatha Iyer. In 1926, he performed his first music recital at Kumbakonam In 1927 gave a concert in the Madras session of Indian National Congress, another event considered by Semmangudi as a turning point in his life, as it catapulted him into the big league of vidwans at that time. He was known for producing soulful music, highly creative and yet very orthodox, despite a recalcitrant voice. Semmangudi was well known for his uncharacteristically nasal voice in an era when practically every prominent Carnatic singer had an impeccable voice.
